STACY’S MOM IS ON ANOTHER PLANET // 2023
Stacy’s Mom Is On Another Planet is a video sketch developed by Flynn and Krawczyk as a satirical commentary on the artists unique perception of masculinity as an unexamined byproduct of youth and popular culture. The work portrays each artist embodying a celebrated male pop persona through the medium of dance. Wearing personalised headphones, the music accompanying the dance is experienced by the individual performer only, and remains unheard by one another or by the audience. This places the dance against a relatively silent backdrop, punctuated by foot tapping, breathing and spontaneous bursts of the artists untrained singing voices. This minimal soundscape, combined with the sterile white backdrop, allows the audience to consider the behaviour and movement of each character out of context. This concept is further enhanced by the characterisation of these male stereotypes, now performed through non-binary, fem-presenting bodies. This work is one of an ongoing series in development by Flynn and Krawczyk.
SERIES: XXXXXXXXX // 2023
Fine Art Print, 50cm x 70 cm
Red Chairs, One Perspective is a series of images selected through the lens of a single analogue camera, showing one perspective, among three. Each image shows a moment where one of the participatory subjects activated the photograph through a manual shutter release and unbeknownst to the remaining two participants who were simultaneously activating two other cameras placed elsewhere in the scene. Three subjects, three cameras, three perspectives, three moments in time. The work shows Flynn and Krawczyk’s pursuit of non-hierarchical photography practices, where the subjects maintain autonomy over the position of their body within time, within the frame and within a relational context.
SERIES: RED CHAIRS, ONE PERSPECTIVE // 2023
Fine Art Print, 50cm x 70 cm
Red Chairs, One Perspective is a series of images selected through the lens of a single analogue camera, showing one perspective, among three. Each image shows a moment where one of the participatory subjects activated the photograph through a manual shutter release and unbeknownst to the remaining two participants who were simultaneously activating two other cameras placed elsewhere in the scene. Three subjects, three cameras, three perspectives, three moments in time. The work is a collaboration between Hermione Flynn and Joanna Krawczyk, showing their pursuit of non-hierarchical photography practices, where the subjects maintain autonomy over the position of their body within time, within the frame and within a relational context.
SERIES: XXXXXXXXX // 2023
Fine Art Print, 50cm x 70 cm
Red Chairs, One Perspective is a series of images selected through the lens of a single analogue camera, showing one perspective, among three. Each image shows a moment where one of the participatory subjects activated the photograph through a manual shutter release and unbeknownst to the remaining two participants who were simultaneously activating two other cameras placed elsewhere in the scene. Three subjects, three cameras, three perspectives, three moments in time. The work shows Flynn and Krawczyk’s pursuit of non-hierarchical photography practices, where the subjects maintain autonomy over the position of their body within time, within the frame and within a relational context.
SERIES: RED CHAIRS, ONE PERSPECTIVE // 2023
Fine Art Print, 50cm x 70 cm
Red Chairs, One Perspective is a series of images selected through the lens of a single analogue camera, showing one perspective, among three. Each image shows a moment where one of the participatory subjects activated the photograph through a manual shutter release and unbeknownst to the remaining two participants who were simultaneously activating two other cameras placed elsewhere in the scene. Three subjects, three cameras, three perspectives, three moments in time. The work is a collaboration between Hermione Flynn and Joanna Krawczyk, showing their pursuit of non-hierarchical photography practices, where the subjects maintain autonomy over the position of their body within time, within the frame and within a relational context.
SERIES: XXXXXXXXX // 2023
Fine Art Print, 50cm x 70 cm
Red Chairs, One Perspective is a series of images selected through the lens of a single analogue camera, showing one perspective, among three. Each image shows a moment where one of the participatory subjects activated the photograph through a manual shutter release and unbeknownst to the remaining two participants who were simultaneously activating two other cameras placed elsewhere in the scene. Three subjects, three cameras, three perspectives, three moments in time. The work shows Flynn and Krawczyk’s pursuit of non-hierarchical photography practices, where the subjects maintain autonomy over the position of their body within time, within the frame and within a relational context.